“My First Cheese Store” Review by nytheatre.com
Posted May 31, 2011 at 3:57 pm
How and Why I Robbed My First Cheese Store Review
by Martin Denton, nytheatre.com
This is one wacky play. It takes place at the small theatre operated by Mad Horse Company; their mascot—what appears to be a taxidermied horse, rearing on its hind legs—occupies a place of honor at the rear of the space. The action unfolds during a meeting among the key staff members of the theatre and then a few hours later during a dinner meeting they’ve organized for a particular visitor. The company members are Daven, the artistic director; Claudia, the public relations manager; Rex, the resident playwright; and Loren, the environment designer. Also employed here is Bruce, a mentally challenged fellow who doesn’t have a fancy title but does seem to be in charge of serving food and cleaning up. READ MORE >>
New “Moves”: NY Press
Posted May 26, 2011 at 4:14 pm
The sixth year of La Mama Moves! promises exciting new dance programming
By Susan Reiter, NYPress
For the next four weeks, La Mama’s three spaces will be buzzing with dance activity so varied that no one would dare pin a stylistic label on La Mama Moves!, the festival that is now in its sixth year. The sheer scope and variety of the presentations confirms what Nicky Paraiso, the co-curator, says: “We’ve always wanted the festival to follow the mission of La Mama itself—to be as inclusive as possible.” READ MORE >>
Beatboxing at La MaMa
Posted May 20, 2011 at 3:13 pm
by Lauren Parrish, Fourth Arts Block
Earlier this week, La MaMa drew their American Human Beatbox Festival (curated by Kid Lucky) to a close with an astonishing performance that showcased the talent and innovation of women beatboxers. Called Women of the 5th Element, this event demonstrated that beatboxing is more than a musical style, it’s an art and that the beatboxer, male or female, is an artist.
Doug E Fresh was the host of the evening who, throughout the night, shared his memories of the early years of beatboxing and his feelings about the power and influence of this art. He said that with beatboxing, the human is the instrument and that the message they send is about good energy, life, the soul and the spirit. For someone who knows very little about beatboxing, having the opportunity to hear the pioneer of this art, Doug E Fresh, was such an honor. I could hear his passion, something I saw with every following performer that hit the stage.
The first beatboxer was MC Beats. Her set was like a radio show mash up where as she changed the station, she would beatbox different songs. I would describe her style was cool and calm. I found myself continually amazed by the fact that one person was creating those sounds.
Next up was Luckey Monkey. She is one half of the husband-wife beatbox duo TNT. Her beats were so high-energy that they communicated a sense of excitement that was contagious. It was fun to watch, but of course, even better to listen.
The last lady to perform was Say Whut. Now, this is an artist who understands how a silence is as powerful as sound when creating music. She utilized both to create a set that was dramatic and nothing short of phenomenal.
Afterwards, Itsrealight joined the women for a cypher dedicated to Butterscotch who was part of the original line-up, but unfortunately unable to make it. Instead of competing for the spotlight, the four of them were able to support each other and mesh their different styles. Then, Doug E Fresh, Kid Lucky, Luckey Monkey and D-Cross took the mic for a last performance that concluded the evening with. In the end, I was speechless and the only criticism I have is that the festival ended all too soon! Until next year!
Belarus Free Theatre Won an Obie Award
Posted May 19, 2011 at 5:29 pm
Belarus Free Theatre won The Ross Wetzsteon Award for this year’s Obie Awards. Click here for the photo!
Tonight! Doug E Fresh hosts the leading ladies of beatboxing at La MaMa!
Posted May 18, 2011 at 12:03 pm
One of the greatest figures in Hip Hop history Doug E Fresh, a pioneer in the art of beatboxing, comes to La MaMa tonight to perform and host the final night of The American Human Beatbox Festival. Tonight’s performance, “The Women of the 5th Element” at La MaMa’s Ellen Stewart Theatre, will feature many of the top women in the art of beatboxing, including Say Whut, LuckeyMonkey & Fat Tony, Itsrealight and others.
Project: Lohan Extended!
Posted May 4, 2011 at 5:14 pm
If you didn’t see D’Arcy Drollinger’s Project: Lohan during its opening week, don’t fret. Due to popular demand, the run has been extended an extra week. Now at The Club through May 15th, don’t miss this second chance!
NY International
May 29 – June 5, 2011
Sunday May 29 at 5:30pm
Ian Colless (Australia)
Erick Montes (Mexico)
Luke Murphy (Ireland)
Crossing Jamaica Avenue(U.S.)/Sonoko Kawahara (Japan)
Surfacearea (UK)
Sunday June 5 at 5:30pm
Anagrama Collettivo Coreografico (Italy)
Ian Colless (Australia)
Erick Montes (Mexico)
John-Mario Sevilla (Philippines)
Luke Murphy (Ireland)
Crossing Jamaica Avenue(U.S.)/Sonoko Kawahara (Japan)
Surfacearea (UK)
Anagrama Collettivo Coreografico “Optico”
Anagrama Collettivo Coreografico
“Optico” is an hybrid work between abstraction of forms and colours and the materialization of human bodies and figures. It is open to different interpretations and points of view. Choreography is the art of giving strong narrows to the bodies so that they are driven to move. Pure movement, without preconceived meaning. The attribution of sense is only in the observers’ eye, in their sensorial perception. It is an illusion, an Optic(al) process. It is like identifying forms, while looking at clouds. Anagrama Collettivo Coreografico is the winner of last year’s RossoBastardo Festival in Umbria, Italy. Special thanks to Cantina Signae Cesarini Sartori for bringing them to New York.
Ian Colless “Meeting Place”
Ian Colles, dancer: Giogia Bravo
Traditionally many Australian Aboriginal tribal nations have a place were they gather. A ‘meeting place’, a culturally significant sacred site within a tribal boundary where Aboriginal men and women would gather. This work is a meeting place between Man (earth) and Women (water), between the Blue Mountains, Australia (A world heritage national park) and the New York City.
Crossing Jamaica Avenue/Sonoko Kawahara “Fan Macbeth”
Crossing Jamaican Avenue
A brief encounter with poetic movement. Centered around the relationship of Macbeth and Lady Macbeth, Fan Macbeth reveals the story of unceasing human desire and weakness by exploring the movement of the traditional Japanese fan. Its own language, it is a simple device with an untapped potential of expression. The performers manipulate the movement of the fans to express dramatic shifts of emotion.
Erick Montes “I almost expected to be remembered (Mexican Symphony #1)”
Erick Montes, photo by Julieta Cervantes
“Mexican Symphony” is a collection of thoughts that in a deconstructive way build the portrait of a young man that to the first impression just arrived home from a long day of work. The work play with the topics of nostalgia, time and culture.
Luke Murphy “Drenched”
Luke Murphy
A duet work for Luke Murphy and Carlye Eckert, Drenched focusses on the nature of desire, companionship, lust, intimacy, trust, vulnerability and the central question of where the gulf between our expectations and experiences of romance begins and ends.
John Mario Sevilla “Born Against / Elephant Funk Y Junk Y Puss Y Serenade”
John Mario Sevilla
A response to the question, “How do Republicans dance?”
Surface Area “Dust”
Nicole Watson, photo by Michael Halliday
A live performance of choreographed movement, performed by Nicole Vivien Watson and Molly Hodkinson. In essence Dust has been conceived as a response to themes of connection and purpose. When creating Dust thoughts were continually drawn to the work of philosopher Marshall McLuhan, who was responsible for developing the expressions “the medium is the message” and “the global village” Nicole repeatedly returned to Marshall McLuhan philosophies of hot and cold media, with specific interest in the television as a cold media. Dust is performed by engaging the entire body, the inner image and landscape is visualised as light, projected and then transmitted. A physical exploration of the body as one that is searching and connecting.
barrish
By Sarah A.O. Rosner/A.O. Movement Collective
May 27 – May 28, 2011 at 10pm
“barrish” is a research of tenderness and brutality, of nakedness and fortification, and of what physical and emotional extremism is possible when located on a mattress. The piece follows five women, hard with desire and nostalgic to feel human, as they thread themselves through a shifting (collapsing?) world. Latent images shift jarringly into focus, and the women become characters, actors, selves, and desire-filled anatomies. “barrish” brings a critical consciousness and destructive grit to the table that already holds the (dangerous, engaging) high-gloss seduction of virtuosic and/or sexual bodies. Not quite a story (or maybe too many of them), the work is a love song. That, and the tearing out of it.
Mandorla
By Jenny Rocha Dance
May 26 – May 27, 2011 at 7:30pm
“authoritative work…evokes strong emotion physically”. – New York Times
Mandorla is a multi-media performance of dance theater, video and live music. Using wit as a weapon, this satire creates a provoking commentary on the “exploited artist.” Rocha’s mixed styles of modern, stomping, hip hop & jazz create a movement spectrum that has become a signature for her work. The music by One Ring Zero has been described as “…gypsy-klezmer circus-flea-cartoon-music you mainly hear in your dreams.”
Dancing for Joan
May 24, 2011 at 7:30pm
La MaMa Moves! honors Joan Finkelstein for her visionary support of dance artists and her passionate dedication to future generations of dancers and choreographers.
Tuesday, May 24, 2011
6:00PM Cocktail reception at La MaMa’s La Galleria
7:30PM Gala performance at The Ellen Stewart Theatre
Reception and Dancing immediately follows the performance
PERFORMANCES BY
Chen and Dancers: Children’s Program, Yoshiko Chuma and Robert Black, Nicholas Leichter and Will Rawls, David Dorfman Dance, Archie Burnett and Javier Ninja with Doug Elkins, Heidi Latsky, Doug Varone and Dancers, Martha Graham All-City Panorama
SPEAKERS
Jean-Leon Destiné
Sharon Dunn
TICKETS
Tendu – $100
Admission to the gala performance & reception.
All but $50 of each ticket purchased is tax deductible to the full extent allowed by low.
Changement - $200
1 ticket to gala performance & reception at the Ellen Stewart Theatre.
Your name in the La MaMa Moves! Gala Program.
All but $50 of each ticket purchased is tax deductible to the full extent allowed by low.
Pas de Deux – $500
2 tickets to warm-up cocktail party at La Galleria.
2 tickets to gala performance & reception at the Ellen Stewart Theatre.
Your name in the La MaMa Moves! Gala Program.
All but $50 of each ticket purchased is tax deductible to the full extent allowed by low.
Pirouette – $1,000
4 tickets to warm-up cocktail party at La Galleria.
4 tickets to gala performance & reception at the Ellen Stewart Theatre.
Your name in the La MaMa Moves! Gala program.
La MaMa Moves! Dance Pass for any 4 performances.
All but $50 of each ticket purchased is tax deductible to the full extent allowed by low.
Grand Battement - $2,500
6 tickets to warm-up cocktail party at La Galleria.
6 tickets to gala performance & reception at the Ellen Stewart Theatre.
Your name in the La MaMa Moves! Gala program and 50th Anniversary Season Program.
La MaMa Moves! Festival Pass for 1.
All but $50 of each ticket purchased is tax deductible to the full extent allowed by low.
Grand Jeté – $5,000
8 tickets to warm-up cocktail party at La Galleria.
8 tickets to gala performance & reception at the Ellen Stewart Theatre.
Your name in the La MaMa Moves! Gala program and 50th Anniversary Season Program.
La MaMa Moves! Festival Pass for 2.
All but $50 of each ticket purchased is tax deductible to the full extent allowed by low.
BENEFIT CO-CHAIRS:
Robyn Cutler
Christopher Pennington
BENEFIT COMMITTEE
Carolyn Adams & Rob Khan
Sol Adler
Bruce Allardice
Jody Arnhold
Frank Carucci & David Diamond
Eugene Chai
HT & Dian Chen
Ping Chong
Mary Fulham & James Reynolds
Bob & Rae Gilson
Harkness Foundation for Dance
Ted Bartwink
Etta Brandman
William Perlmuth
Bill Irwin
William Kelley
Paul Langland
Frances Lucerna
Moira North
Jennifer McGraw Webster de Ortega & Curtis McGraw Webster
Lynn Parkerson
John Wessel
Micki Wesson
ARTISTIC COMMITTEE
Robert Black
Barbara Bryan
Archie Burnett
Yoshiko Chuma
Sean Curran
David Dorfman
Doug Elkins
Vallejo Gantner
Judy Hussie-Taylor
John Jesurun
David Lang
Heidi Latsky
Chrylyn Lavagnino
Nicholas Leichter
Stanford Makishi
Caridad Martinez
Sam Miller
Javier Ninja
Morgan von Prelle Pecelli
Carla Peterson
Will Rawls
Mark Russell
Bonnie Stein
Muna Tseng
Doug Varone
Jay Wegman
Mike Gorman (#101)
May 21, 2011 at 3pm
Mike Gorman
Mike Gorman is a playwright in residence at La MaMa e.t.c. (Experimental Theater Club) in New York City. He makes his home in New York and Maine. A list of Mike’s most recent productions at La MaMa include “The Honor and Glory of Whaling”(2008, The Annex), “Death by Joinery” (2006, The Club), “Counting Coup” (2002, The Annex), “Single-Action-Shotgun” (2001, First floor), “UltraLight” ((2000, First Floor) and “A Funny Old Bird” (1998, First Floor).”
Mike is currently working on “If Colorado had an Ocean…”, the final play in his trilogy that deals with the issue of addiction and recovery in the commercial fishing industry. The trilogy shares the same title as the second play, “The Honor and Glory of Whaling”.
Mike is the founder and Director of “The Forty Hour Club”—his current production company that was formed for the purpose of producing “UltraLight”, the first play from “The Honor and Glory of Whaling”. “UltraLight” premiered at La MaMa’s First Floor Theatre in 2001 before moving to The Gloucester Stage Company in Massachusetts in 2002. In September, 2003, “Ultralight” toured Maine from The Portland Stage Company, to The Penobscot Theatre in Bangor and The Grand Theatre in Ellsworth. The production was co-sponsored by the professional theatre community and MAAR (Maine Alliance for Addiction Recovery). Mike is currently working on a film that documents the production history of “The Honor and Glory” trilogy with film-maker Ben Kahn of “Nomad Pictures” in Portland, Maine.
Mike was also the Co-Creator of “The Fabulous Giggin’ Bros.”—a performance troupe originated at Clark University in Worcester, Massachusetts. He later spent several years on the island of Vinalhaven, Maine, developing the “Giggin’ Bros.” signature style of roots-based absurd theater before arriving in New York and debuting at La MaMa with their production of “Biffing Mussels”(1994). Other “Giggin’ Bros.” plays and performance spectacles include “Island Still Life”, “How and Why I Robbed My First Cheese-Store”, “Goin’ West”, “Conversation Pieces”, “A Random Act of Violence”, “Chores” and “De-Freeze Walt Disney”.
Mike began his playwrighting career at Clark University in Worcester, Massachusetts where he graduated with Honors and received a degree in Literature (1988). At Clark, Mike was nominated for The Rhodes Scholarship and received The Russ Granger Award as the University’s Scholar-Athlete. He has recently been nominated for induction into the Clark University Athletic Hall of Fame.
The American Human Beatbox Festival
May 15 – May 18, 2011
The first annual North American Human Beatbox Festival, curated by world-renowned beatbox artist Kid Lucky, presents the American-born vocal style and technique of beatboxing. Born out of the 1970s New York hip-hop scene, beatboxing has grown exponentially as a creative and social movement. This year’s festival features some of the world’s leading beatbox artists, including Doug E Fresh, Rabbi D, Butterscotch, and Shockwave.
Show Tickets: $10. Tickets to the Award Show and Dinner: $25
All performances, except for the Subway Series will be held at La MaMa.
Sunday, May 15 at 5pm
HIP HOP SUBWAY SERIES
Go back to the roots of New York City Hip Hop with a traveling performance on the New York Subway system. Meet us at the TBA station and join us on the C train as we beat it uptown to Doug E Fresh’s restaurant at 135 Street, then follow us downtown to a performance of End of the Weak at the world famous Pyramid Club.
Monday, May 16 at 8pm, The Club
NYC STAND UP!
New York lays it down with some of the city’s hottest beatbox talent, including Kid Lucky, Grey Matter, Krussia, D-Cross and Shockwave. Come for the show and stay for the after-party at Bar 13, and show off your own freestyle talents.
8pm Grey Matter
8:15 Jflo
8:20 JoJo Beat
8:25 Menyu
8:30 Krussia
8:40 JKing
8:45 Spacecraft
8:50 Spencer
8:55 Roger Hanson
9:00 D-Cross
9:10 Mandibul
9:15 Yako 440
9:20 Masai Electro
9:25 Beats Myth
9:30 Shockwave
9:40 Pete List
9:45 Emcee Grafitti
9:50 Kid Lucky
After Party at 11:30pm at Bar 13 for Freestyle Mondays hosted By voice of love Mariella and That crazy emcee/beatboxer Rabbi Darkside!
Tuesday, May 17 at 8pm, The Club
THEATER OF THE 5TH ELEMENT
Beatboxing gets dramatic with four original theater pieces performed by human beatboxers.
Featuring Tim Barsky, Yuri Lane, Verbal Ase and Kid Lucky
Wednesday, May 18 at 8pm, The Ellen Stewart Theatre
WOMEN OF THE 5TH ELEMENT
Often unrecognized for their impact on human beatboxing, women are on the cutting edge of the art. Tonight we feature some of the leading women voices in beatboxing.
Featuring Butterscotch, Say Whut, LuckeyMonkey & Fat Tony and Itsrealight
The Law of Remains
May 10 – May 11, 2011
Tuesday, May 10 at 8pm
Wednesday, May 11 at 9pm
Tickets $15, Students $10
Written By Reza Abdoh
Designed and Directed by Zishan Ugurlu
Performed by members of the 25th graduating class of Theater program at Eugene Lang College, The New School for Liberal Arts
The play examines America’s obsession with gender constructs, the lack of response to the HIV/AIDS crisis of the 1980s and 90s, and sensationalistic attitudes towards murder and violence. Described by actress Anita Durst as “Serial killer Jeffrey Dahmer meets Andy Warhol in Heaven,” the play critiques American institutionalized racism and homophobia, popular culture and challenges audiences’ expectations of the theater experience.
International Migration Art Festival
By International Migration Art Festival
May 3, 2011 at 2:30pm
Free Admission, 2:30pm
New York IMAFestival finalists have been announced and they will participate with their works in IMAFestival big closing event that will be held at La MaMa Theatre (The Club) on the 3rd of May from 2:30 to 10 PM. You can start voting them online from the 25th of April!
Bibliotika
May 2, 2011 at 7:30pm
Written by Kimberly Shelby-Szyszko
Directed by George Ferencz
In a modest, faraway municipality, a hard-nosed librarian discovers her soft spots while enduring a host of excitable patrons, increasingly sparse bookshelves, and the haunting of German romanticist
Project: Lohan
By D'Arcy Drollinger
April 29 – May 15, 2011
EXTENDED BY POPULAR DEMAND! NOW THRU MAY 15
Friday & Saturday at 10pm
Sunday at 5:30pm
Thursday, May 5 at 10pm
A multi-media experience chronicling the life of Lindsay Lohan: actress, singer and tabloid queen. With only found text and images from tabloids, magazines, entertainment TV and Internet gossip sites, Lohan’s arc from Disney starlet to convicted felon is reconstructed in an evocative timeline as both classic myth and Shakespearean tragedy – with surprising and poignant insights into Pop culture, the fragile nature of talent and the people who surround and exploit it.
From starlet to harlot, from hottie to hot mess, from fashion plate to prison inmate, Lindsay Lohan has been the subject of arguably one of the most publicized rise and fall in showbiz history. The youngest person to host the MTV movie awards and earning over 7 million a picture before she turned 18, Lindsay had it all, but her love/hate relationship with the paparazzi played a significant role in her seemingly out-of-control spiral. The money, the fame, the feuds, the media hungry parents, the lesbian lover, the insatiable paparazzi, 5 trips to rehab, two DUI’s, possession of cocaine, shoplifting, physical abuse and even carjacking – all played out in the public eye – will be reinterpreted for the stage.
Is Lindsay Lohan washed up at 24? Or with Google searches on the clothes she wears to court topping the 2011 Egyptian revolution, has she become the ultimate reality celebrity?
Playwright Drollinger, in an over-the-top arresting star-turn will play Lindsay. He/she will be joined by a fanciful cast, including: Clayton Dean Smith, Brandon Olson, Cindy Goldfield, Emily McGowan and Brian Reiss.
D’Arcy Drollinger’s (Playwright / Actor) works include: Scalpel!, The Possession of Mrs. Jones,
Pink Elephants, Above and Beyond the Valley of the Ultra Showgirls, Suburbia 3000, Shit & Champagne and The Cereal Killers. He has also worked as a producer, director and choreographer.
Other credits include: The Producers (first Broadway production), Hairspray the Musical (first Broadway production), Glamour, Glory and Gold (La Mama) and VH1’s Divas 2000 featuring RuPaul. Drollinger is a participant in the BMI Musical Theatre Workshop and a member of the Dramatists Guild of America.
Ben Rimalower (director) directed Joy (Actors Playhouse, Out Magazine: “Top Ten Theatre”), The Fabulous Life of a Size Zero (Daryl Roth/DR2 Theatre), Snoopy! Starring Sutton Foster (Symphony Space), And/or (Hot Festival) and Sodom the Musical (Kraine Theatre) as well as staged readings for Second Stage, The York, Dixon Place and Ensemble Studio Theatre. He conceived and directed Leslie Kritzer is Patti LuPone at Les Mouches (Time Out New York Award) and subsequently produced Sh-K-Boom/Ghostlight Records’ long-awaited recording, Patti LuPone at Les Mouches (#25 on Billboard “Heatseekers” Chart), digitally restored from archival tapes of LuPone’s legendary live 1980 performances. In venues such as Joe’s Pub, Ars Nova, The Zipper Factory, SF’s Plush Room and LA’s Upright Cabaret, Ben has earned the title the “Midas of Cabaret” (The Advocate) helming a slew of solo shows for artists including Alec Mapa, Cole Escola, Our Lady J, Natalie Joy Johnson, Lindsey Alley, Molly Pope, Wendy Ho, John Hill, Scott Nevins, Kate Pazakis and Lance Horne in addition to producing and hosting the Laurie Beechman Theatre’s recurring variety show, Saturday Night Underground. In 2011, he has directed the premiere of Rachel Shukert and Michael Schulman’s You Like Me, An Evening of Classic Award Acceptance Speeches and Paul Iacono’s Prince/Elizabeth. Ben writes the column, The New Old Gay for akawilliam.com and is working on his first solo performance piece, recently chronicled in The New York Times feature, “The Impresario Who’s Keeping the ’80s Spirit Alive Downtown.” Assistant Director credits include Lonny Price’s productions of A Class Act (Manhattan Theatre Club, Broadway and Tokyo) and A Little Night Music (starring Patti LuPone, George Hearn and Zoe Caldwell) as well as the Emmy-winning Sweeney Todd. Ben studied Theatre Arts at U.C. Berkeley where he was the founding Artistic Director of BareStage (now celebrating its 15th anniversary).
Project: Lohan is and Equity Approved Showcase.
We couldn’t call it what we wanted to call it, so we called it HOLY CRAP!!
By Ronald Rand Production
April 28 – May 15, 2011
Preview – April 28, 2011
Opening – April 29, 2011
Wednesday – Saturday at 7:30pm
Sunday at 2:30pm
Saturday May 7 & May 14 at 2:30pm
The play that rocked Spain and the world. The most controversial play in a generation that caused Madrid’s archbishop to demand that it be banned, and incited thousands to march in the streets in protest.
Belarus Free Theatre in Repertory
By Belarus Free Theatre
April 13 – May 15, 2011
“They should be seen by everyone who wants confirmation of the continuing relevance and vitality of theater as an art form..”
“Truly passionate, truly political theater…
Being Harold Pinter isn’t just admirable, it has virtues beyond its relevance and bravery.”
- Ben Brantley, THE NEW YORK TIMES
After its triumphant run during the Under the Rader Festival, La MaMa and The Public Theatre present the Belarus Free Theatre. Established in response to repression in “Europe’s last dictatorship,” the award-winning Belarusian Company—now outlawed at home—stages three productions in repertory.
Tickets are on sale now!
BEING HAROLD PINTER – Purchase Tickets Online
A poignant contemporary commentary on violence, oppression, freedom and human dignity.
ZONE OF SILENCE – Purchase Tickets Online
Belarusian taboos are explored in three chapters, Childhood Legends, Diverse, and Numbers.
DISCOVER LOVE – Purchase Tickets Online
A gripping original drama based on the true story of dissident Irina Krasovskaya and her husband Anatoly, who was “disappeared” 10 years ago.
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