Solos, Duets, Trios and… Intricate Intimacies
June 9 – June 19, 2011 at 7:30pm
Thursday – Sunday at 7:30pm
Buster Grant/Opus Dance Theater
Leslie Guyton/Movement Workshop Group
Daniel Gwirtzman
Abdur-Rahim Jackson
Jon Kinzel with Matthew Rogers & Stewart Sugg
Mariah Maloney
Caridad Martinez
Okwui Okpokwasili
Cori Olinghouse
Jeremy Pheiffer
Will Rawls
Judith Sanchez Ruiz
Brandin Steffensen
Arturo Vidich
Rebecca Warner and Laura Vitale
June 9
Mariah Maloney
Okwui Okpokwasili
Opus Dance Theatre Company
Judith Sanchez Ruiz
June 10
Caridad Martinez
Regina Nejman
Brandin Steffensen
Arturo Vidich
June 11
Mariah Maloney
Opus Dance Theatre Company
Judith Sanchez Ruiz
Brandin Steffensen
June 12
Caridad Martinez
Regina Nejman
Okwui Okpokwasili
Arturo Vidich
June 16
Daniel Gwirtzman
Jon Kinzel
Stanford Makishi and Brandi Norton
Rebecca Warner
June 17
Leslie Guyton/Movement Workshop Group
Abdur-Rahim Jackson
Jeremy Pheiffer & Hadar Ahuvia
Will Rawls
June 18
Daniel Gwirtzman
Jon Kinzel –
Will Rawls
Rebecca Warner
June 19
Leslie Guyton/Movement Workshop Group
Abdur-Rahim Jackson
Stanford Makishi and Brandi Norton
Jeremy Pheiffer & Hadar Ahuvia (duet)
Daniel Gwirtzman “Race”
Daniel Gwirtzman Dance Company premieres Race, choreographed by Gwirtzman for himself and long-time dancer and muse Stacy Martorana. In Race the contests between Gwirtzman and Martorana manifest as go-for-broke trials on speed, stamina and skill as well as less obvious qualities such as liquidity, tenderness and individuality. Pools of intricate partnering erupt into simultaneous unison competitions, as quickly dissolved as the explosive manner in which they formed. Fake-outs. Falling out. Break-ups. Breakouts. Through his signature choreographic blend of the pedestrian with the virtuosic, Gwirtzman challenges the primary interpreters of his work to extend their physical and emotional range in a race against themselves and each other.
Leslie Guyton “Movement Workshop Group”
A Live Rock Band, Five Extraordinary Actor/Dancers, & a landscape of light bulbs bring you a story about the fight for cosmic love.
Abdur Rahim Jackson “awOrKiNgtItLe”
Our human inate hunger and exploration for inner fuel inspires us to grow beyond the physical realm.
Okwui Okpokwasili “untitled”
A work in progress, a movement piece, discovery and loss, notes from the twilight of girlhood and a song
Mariah Maloney “Irish Solo”
Irish Solo: Turas (thruss) began on a Sunday afternoon in Dublin’s Temple Bar where I witnessed three musicians playing vigorously on a tiny corner stage. This vibrant solo dance is infused with the mood, rhythms and textures of Traditional Irish Music played by Lad Lane. The traditional music of Ireland – the instrumentation and the vocals all resonate deeply for me… the challenge and excitement of this project is to further discover and express the spirit of this music in a solo dance.
Judith Sanchez Ruiz “Schoenschter Abigstärn” (most beautiful star of the evening sky).
“Schoenschter Abigstärn” (most beautiful star of the evening sky). I t is a Swiss traditional song and has no recognized author. This piece is an excerpt of the work “It’s all about my right knee” a sextet that will premiere in 2012.
Will Rawls “Collected Fictions” (With German Shepherd)
Collected Fictions (with German Shepherd) is a continuation of my explorations with an inanimate dog. The German Shepherd holds a particular place in American political and my own personal history. I am looking at ways these histories might intersect in my choreography and spin a new fiction of behavior and identity.
Caridad Martinez “Solo” and “Dragging Island”
SOLO
Via Classical and Contemporary dance techniques, SOLO, a melodramatic dance piece consisting of one dancer, depicts the impact of loneliness on the self and the fantasy associated with its movement through the body.
DRAGGING ISLAND
Developed with six dancers, DRAGGING ISLAND explores the impact of emotion and change as movement reveals the beautiful sensation of transformation.
Jon Kinzel “Scarecrow Scared of Herself”
The piece, a new trio with an international cast, revolves around performative states, music, and silence designed to disclose varying representations of identity and highly articulate male dancers. By focusing on solo, duet, and trio choreographic forms I aim to work closely with each dancer so that the piece might allow an almost intrusive and beautiful look at each performer that is at once revealing but rarely idyllic. Individual sensibilities and expertise such as contemporary partnering skills as well as personal histories will inform the creative process. The dancers are Jon Kinzel (New York), Matthew Rogers (New York), and Stuart Shugg (Australia).
Stanford Makishi & Brandi Norton “Unheard of Annual Giving”
Choreographed by Jon Kinzel
Jeremy Pheiffer
This dance examines several relationships: man/woman, choreographer/dancer, Jeremy/Hadar.
Arturo Vidich
Rebecca Warner and Laura Vitale “Plaster of Paris”
An exploration of sound and matter through dance.
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The Mermaid Show
May 17 – May 20, 2012
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When Clowns Play Hamlet
May 24 – June 3, 2012
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Escape
June 7 – June 24, 2012
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Dream Bridge
April 27 – May 13, 2012
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33 x 3
April 18 – April 22, 2012
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OBAMA 44
March 29 – April 15, 2012
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The Kreutzer Sonata
March 8 – March 25, 2012
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Monday Nights at La MaMa
February 27, 2012 at 7:30pm











