Don Quixote Takes New York

November 10 - November 11, 2018

BUY TICKETS

Part of La MaMa Puppet Festival

The Downstairs | 66 E 4th Street

Saturday and Sunday at 12PM

Inspired from the novel The Ingenious Nobleman
Sir Quixote of La Mancha 
by Miguel de Cervantes

Adapted from the novel by Ivan Cardozo & Beatriz Caballero
Re-imagined & Co-Directed by Federico Restrepo & Denise Greber

Don Quixote and his friend Sancho Panza with travel the five boroughs of New York on a quest to save the world from evil forces.  Loco7 Theatre productions utilize original music, dancers, body puppets and larger-than-life marionettes. Restrepo’s intense love and passion for the history of the Americas and his journeys in New York have been a constant source for all his work. 
Ages 4 and up - Fun for the whole family!

Press For 'Don Quixote Takes New York'

7 Things to Do With Your Kids in NYC This Weekend

"An adaptation of an adaptation, it sets Iván Cardozo and Beatriz Caballero’s puppet theater version of Cervantes’s novel in New York City, where Don Quixote and Sancho Panza are trying to shield the Statue of Liberty from a villain known as the Orange Knight. Although adults may detect political satire here, young theatergoers can have fun just watching the onstage adventure" - Laurel Graeber, The New York Times

The Best Spring Theater for NYC Kids: 17 Fabulous Shows

La MaMa in Association with Loco7 Dance Puppet Theatre Co Presents World Premiere of DON QUIXOTE TAKES NEW YORK

"Loco7 reimagines this classic text, with puppets, dance and music to show the audience that no dream is too impossible to obtain and that with hope and heart you can conquer fear."

About the Artists

LOCO7 productions utilize original rhythmic music, live musicians, dancers, body puppets and larger-than-life marionettes. Restrepo’s intense love and passion for the history of the Americas and his journeys in New York have been a constant source for all his work. Loco7 has premiered sixteen original pieces in New York City, with subsequent tours throughout the world. Most recently Loco7 premiered Undefined Fraction (2015), Seucy and Boto (2014-2016), Plunge (2013), Free Falling (2013), Urban Odyssey (2012), In Retrospect (2010), Room To Panic (2008), Open Door (2006), Bokan The Bad Hearted (2004), 9 Windows (2002), Colores (1998), Aguirre, the Spiral of the Warrior (1996), Cosecha (1990), Loco7 (1989) and two other Gotham fantasies: Locombia (1986), Carrera (1988). In addition Loco7 premiered in Bogotá, Colombia, Piratas de Papel (1994) and Mobile Urbano (1986).
FEDERICO RESTREPO (Co-Creator/Director/Choreographer/Puppet Design) was born in Bogotá, Colombia and founded his company, Loco7, at La MaMa in 1986 to expand the use of puppetry in dance theatre. With Loco7 he has created over sixteen original productions, acting as creator, director and designer. As a performer Restrepo appeared at La MaMa as a member of the Great Jones Repertory Company in Ellen Stewart’s The Raven, Asclepius, Herakles Via Phaedra, Perseus, Antigone, Mythos Oedipus, Dionysus Fillus Dei, Monk and The Hangman’s Daughter, Seven Against Thebes and Draupai. He is a resident choreographer, director, puppet designer, and performer of La MaMa. In addition he has designed lights for productions in New York City as well as abroad.
DENISE GREBER (Co-Creator/Director) has been the managing director and collaborator on all Loco7 productions since 2001. She has performed in Loco7 shows: Undefined Fraction, Urban Odyssey, In Retrospect, Room To Panic, Open Door, Bokan, The Bad Hearted and 9 Windows. She is an artist in residence at La MaMa, and a member La MaMa’s Great Jones Repertory Company, performing in Ellen Stewart’s Asclepius, Herakles Via Phaedra, Perseus, Antigone, Mythos Oedipus, Dionysus Fillus Dei, Seven Against Thebes, Diana di Cantelmo and Andrei Serban/Elizabeth Swados’ Fragments of a Greek Trilogy. She is the Director and Curator of La MaMa Puppet Series.
The 8th La MaMa Puppet Festival Fall 2018 has been made possible with support from Ford Foundation, Howard Gilman Foundation, The Jim Henson Foundation, Puppet Slam Network, The Andrew W. Mellon Foundation, The Shubert Foundation, The Harold and Mimi Steinberg Charitable Trust and public support by the New York City Department of Cultural Affairs and New York State Cultural on the Arts. Additional support from  Cheryl Henson is gratefully acknowledged.