Saturday at 3pm
The Club | 74a East 4th Street (3rd Floor)
Curated by: Michal Gamily
Moderator: Keith McDermott
Panelists: Agosto Machado, Carol Mullins, Mary Shultz, & Roger Babb
Performers: Deborah Auer, Black eyed Susan, Roger Babb, Catherine Galasso, Harry Mann, Keith McDermott, Mary Shultz
Jim Neu’s work as a writer was an important part of Downtown New York theater since the late 1970s. In works ranging from monologues and one-act dialogues to full-length plays and dance/text collaborations with major choreographers, his style and sound are instantly recognizable. Since beginning a long relationship with Ellen Stewart and La MaMa in 1991, most of his work originated there. His last play, GANG OF SEVEN (2008), was his tenth play at La MaMa.
Please join us for a celebration of the late Jim Neu's life and career in Downtown New York! There will be a panel discussion including friends and contemporaries, live performances, and archive materials of Jim Neu's performances.
Coffeehouse Chronicles is a free educational performance series exploring the history and development of Off-Off Broadway from its inception within the Village “Coffeehouse Theatres” of the 1960s through today. Part artist portrait, part creative event, part history lesson, part community forum, it is our mission to provide a home, as did our founder Ellen Stewart, for personal and intimate engagement with art. Since 2005 La MaMa has presented more than 123 Coffeehouse Chronicles featuring personal oral accounts from artists of the day as well as conversations with present day artists who continue to work in the same bold, daring manner.
About Jim Neu
Jim Neu’s worked as a writer was an important part of Downtown New York theater since the late 1970s. In works ranging from monologues and one-act dialogues to full-length plays and dance/text collaborations with major choreographers, his style and sound are instantly recognizable. Since beginning a long relationship with Ellen Stewart and La MaMa in 1991, most of his work originated there. His last play, GANG OF SEVEN (2008), was his tenth play at La MaMa.
Neu’s writing has two prime influences — jazz and the performers he’s been fortunate to work with. The rhythms, ambience, and attitude of jazz are in his language. The rich individuality of the actors speaking it were, in turn, a continuous inspiration — the way great soloists are in a jazz band. Since the mid-80s a company of actors, musician/composers, and designers added great consistency and style to his work. The company began with Bill Rice, Mary Shultz, Roberta Levine and designers David Nunemaker and Carol Mullins; it would eventually include Black-Eyed Susan, director Keith McDermott, and designer David Fritz. Musician/composers Harry Mann and Neal Kirkwood wrote music, individually or collectively, for nearly every play since the late 80s.
Jim Neu’s background was anything but theatrical. He grew up in Brooklyn and, after age 7, Huntington, Long Island. He was unlucky enough to be drafted after graduating college, but lucky enough not to be sent to Viet Nam. Upon his release in late 1967, he moved to New York’s East Village, joining the quest for self that permeated the times. Progress was slow until new friends suggested going to a workshop in the summer of 1970 run by an emerging figure in theater named Robert Wilson. Wilson wanted to work with people who had no theater experience.
Performing in Wilson’s Byrd Hoffman School of Byrds from 1970 through 1975 was a transforming experience. Robert Wilson’s work became known worldwide. The company traveled throughout Europe, to Brazil, British Columbia, and Iran, performing such landmark works as DEAFMAN GLANCE and KA MOUNTAIN AND GUARDenia TERRACE. When Wilson began using spoken text, he asked Jim to be one of the writers. Neu contributed text to KA MOUNTAIN, THE LIFE AND TIMES OF JOSEPH STALIN, A LETTER FOR QUEEN VICTORIA and THE $ VALUE OF MAN.
With fellow Wilson veteran sk dunn, he began creating his own work for the Napa Valley Theater Company in 1976. They performed in San Francisco and toured Northern California. ECHO RANCH (1977), with composer Michael Galasso and choreographer Liz Pasquale, was created at the NVTC and first performed there. The piece — an early multi-media work combining theater, music, dance and video — -would be presented in New York at the Green St. Gallery and PS1.
The late 70s began a period of major growth in the Downtown New York performance scene. Jim’s work with SK Dunn and John Nesci at the Kitchen, Westbeth Theater Center and PS122’s Avant-Garde-Arama is part of the early history of those pioneering venues. He was also featured at Soho Rep, H.E.R.E., The Performing Garage, Squat Theater and at theater festivals in Europe and the U.S.
Other projects include plays for the Talking Band, Otrabanda and Bloolips and the screenplays of Andrew Horn’s first two features DOOMED LOVE (1984) and THE BIG BLUE (1988). He has also written text for dancers in Yoshiko Chuma’s A BOY, A BEER, AND A BLONDE (1985), DEEP COVER (1986) with David Woodberry and AEROBIA (2001) with Douglas Dunn. From 1994-98 he was a mentor in the young playwrights program at Andy’s Summer Playhouse in New Hampshire, and in 2000 conducted a playwriting workshop for the Mladinsko Theater in Ljubljana, Slovenia.
About the Panelists & Performers
Deb has been singing and acting in the East Village for .... well .... long enough to know how. She had the good fortune to perform with Jim Neu in several of his shows at La MaMa. Deb presided over memorable gigs in joints gone but not forgotten, such as the St. Mark's Bar & Grill and the C-Note. She will be singing in Pangea's beautiful cabaret room on Dec. 28, 2015.
AGOSTO MACHADO first met Ellen Stewart in 1961 and is one of her oldest living “Babies”. Done the work here of Jacie Curtis, John Vaccaro’s Play House of the Ricdiculous, H.M. Koutoukas, Jeff Weiss, Paul Foster, Charles Allcroft, Jim Neu, Chris Tanner and finally John Jesurun. I feel so blessed.