April 23 - May 10, 2020
Downstairs | 66 East 4th Street (Basement Level)
Thursday to Saturday at 8PM; Sunday at 5PM
$25 Tickets; $20 Student/Senior Tickets [+$1 Facility Fee]
IMPORTANT MESSAGE FROM LA MAMA
In the midst of the Covid-19 pandemic, all public events and performances of shows at La MaMa are suspended as of Friday, March 13, 2020 until further notice. Ticket buyers will be contacted as soon as possible with more information.
La MaMa is exploring ways to respond creatively to a situation that is potentially changing how we gather as a community in our theatres. La MaMa is working with CultureHub to provide online streaming of select productions and events on Howlround Theatre Commons.
Click Here For More Information!
This is an incredibly challenging time for all of us, including arts organizations and the artists and employees who are now impacted by this suspension. If you are able, please consider making a donation and showing your support. Thank you.
By Split Britches
Written & Performed by Peggy Shaw and Lois Weaver
Directed by Lois Weaver
Set against a back drop of climate catastrophe and political heartbreak, Last Gasp is a call and response to the precarities of aging and of our age. Poised at the edge of a new decade, Last Gasp is two separate but interdependent solo performances, woven together through the timeless pairing of Echo and Narcissus. Last Gasp, written and performed by Peggy Shaw and Lois Weaver of Split Britches, looks for ways we might catch our breath in these times of great global uncertainty, considering our ‘last acts,’ whether personal, political or environmental.
Last Gasp is a relaxed performance. More information can be found here:
"Split Britches does exactly what we need art that is set, and made, in troubled times to do – send us out with questions."
-Emily Garside, Miro Magazine, review of Unexploded Ordnances (UXO)
"It is wonderful to watch the rapport Ms. Weaver and Ms. Shaw have forged over shared decades."
–Elisabeth Vincentelli, The New York Times, review of Unexploded Ordnances (UXO)
"One of the ingenious paradoxes and tensions of this piece is that the very thing our society needs more of — meaningful political dialogue — here becomes inimical to a thing we need even more badly: swift, decisive rescue."
-Gay City News, review of Unexploded Ordnances (UXO)
Photo by Christa Holka