Now Playing at La MaMa Theatres

74A E 4th St

Jump Start -November 13-16

Puppet artists get a chance to showcase their works in progress in the La MaMa Puppet Series. Featuring works-in-progress from Deniz Khateri, Leah Ogawa, Sarah Finn, Amanda Card, William PK Carter.

74A E 4th St

Osni the Flare – November 20-23

Osni the Flare is a puppet ballet set to an original album. Through use of rod, shadow, light, and body puppetry, Osni dances a luminous blaze into being.

74A E 4th St

Experiments: All the Men We Might Have Been – November 25

It’s the vaguely present day in the year 20XX and master-of-the-novel Manna Benes wants you to meet her at the Roxbury Motel. Is this the worst thing that ever happened to you? Or is that writer’s block? A passion play and a family play and a tragicomedy and a history play and a surrealist play and a transgressive novel and an ekphrastic poem and a children’s book and a meditation on dance and a dance on meditation and an instruction manual and a coupon book and a pornographic magazine and a holy text. And a love story.

74A E 4th St

Silent Green – December 4-7

Enter the wild wonder of Silent Green—a spellbinding mix of music, dance, and puppetry that pulses with nature’s heartbeat. Feel, move, reconnect, and awaken.

74A E 4th St

Protest Song – December 4-21

David Nellist stars in Protest Song by Tim Price—a raw, urgent, darkly funny portrait of a homeless man caught in the Occupy London movement.

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From the Other Side – December 4-14

From The Other Side, Reimagining Theatre from the Balkans, Edition 1.0, a unique undertaking , this showcase will consist of two theatre performances, staged readings, and conversations and discussions, and video presentations of five theatre productions, offering insights into the artistic and thematic performing arts landscape of the Balkans.

66 E 4th St

Oklahoma Samovar – December 5-21

Oklahoma Samovar celebrates the American immigrant experience by examining the shifting identity, traditions, and culture clashes that shape five generations of a Jewish family.

74A E 4th St

Experiments: Carpal Tunnel – December 8

It’s the vaguely present day in the year 20XX and master-of-the-novel Manna Benes wants you to meet her at the Roxbury Motel. Is this the worst thing that ever happened to you? Or is that writer’s block? A passion play and a family play and a tragicomedy and a history play and a surrealist play and a transgressive novel and an ekphrastic poem and a children’s book and a meditation on dance and a dance on meditation and an instruction manual and a coupon book and a pornographic magazine and a holy text. And a love story.

66 E 4th St

Birth + Carnage – December 19-21

Birth + Carnage, a work by Marla Phelan, merges choreography and astrophysics– transforming computational simulations of stellar birth into visceral metaphor, digital landscape, and choreographic framework.

74A E 4th St

Christmas In Nickyland – December 22-23

Birth + Carnage, a work by Marla Phelan, merges choreography and astrophysics– transforming computational simulations of stellar birth into visceral metaphor, digital landscape, and choreographic framework.

66 E 4th St

The Rest Of Our Lives – January 7-17

Socratic dialogue, psychiatric intake exam, dance/movement, and literary adaptation—The (Un)Double, inspired by Dostoevsky’s The Double—dissects the violence of narrative.
Company: The Useless Room, based in Los Angeles, CA, run by Gema Galiana (Spain) and Anthony Nikolchev (USA). Recently featured at the 2025 Venice Biennale Teatro.

74A E 4th St

The Ford/Hill Project – January 7-11

Socratic dialogue, psychiatric intake exam, dance/movement, and literary adaptation—The (Un)Double, inspired by Dostoevsky’s The Double—dissects the violence of narrative.
Company: The Useless Room, based in Los Angeles, CA, run by Gema Galiana (Spain) and Anthony Nikolchev (USA). Recently featured at the 2025 Venice Biennale Teatro.

66 E 4th St

PRECIPICE – January 8 – 11

Socratic dialogue, psychiatric intake exam, dance/movement, and literary adaptation—The (Un)Double, inspired by Dostoevsky’s The Double—dissects the violence of narrative.
Company: The Useless Room, based in Los Angeles, CA, run by Gema Galiana (Spain) and Anthony Nikolchev (USA). Recently featured at the 2025 Venice Biennale Teatro.

66 E 4th St

12 Last Songs – January 17

Socratic dialogue, psychiatric intake exam, dance/movement, and literary adaptation—The (Un)Double, inspired by Dostoevsky’s The Double—dissects the violence of narrative.
Company: The Useless Room, based in Los Angeles, CA, run by Gema Galiana (Spain) and Anthony Nikolchev (USA). Recently featured at the 2025 Venice Biennale Teatro.

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