November 8, 2018 - November 11, 2018


Part of La MaMa Puppet Series

Ellen Stewart Theatre | 66 E 4th Street; 2nd Floor

Thursday to Friday at 7PM; Saturday at 8:30PM; Sunday at 3PM

$25 Adult Tickets; $20 Students/Seniors; $10 Tickets

Concept & Choreography by Duda Paiva & Nancy Black
Directed by Nancy Black

In this new solo work, renowned dancer/puppeteer Duda Paiva draws on his childhood, during which he suffered an illness that blistered his body and left him temporarily blind. His surreal path to healing involved both shamanic and western medicine. Blind transforms this experience into a metaphor about disability, rejection and resolution. Often interacting with the audience, it is funny as well as moving.  It finds the political through intimacy, woven into a rich theatrical tapestry of dance, puppetry, adaptations of Yoruba songs from a unique Afro-Brazilian subculture, and driving forces of sound and light.

“I found pain in the light, and beauty in darkness.”

Creative Team

Concept by Duda Paiva & Nancy Black
Directed by Nancy Black
Composition by Wilco Alkema
Lighting by Mark Verhoef
Dramaturgical Advice by Nienke Rooijakkers
Costumes in Decor by Machtelt Halewijn
Costumes for Performers by Atty Kingma
Decor by Daniel Patijn

Performer | Ilija Surla, Duda Paiva
Puppets | Evandro Serodio, Duda Paiva

About the Artists

Duda Paiva Company creates physical and visual performances at the crossroads of dance, puppetry and multimedia. With his dance partners, carved from flexible foam, Duda Paiva creates unique, elusive, magical, sometimes painful worlds, always touched by a sense of humor. They present productons in theatres, at festivals, inside or outside, all over the world for audiences of all ages.
Find out more on their website!


The 8th La MaMa Puppet Festival Fall 2018 has been made possible with support from Ford Foundation, Howard Gilman Foundation, The Jim Henson Foundation, Puppet Slam Network, The Andrew W. Mellon Foundation, The Shubert Foundation, The Harold and Mimi Steinberg Charitable Trust and public support by the New York City Department of Cultural Affairs and New York State Cultural on the Arts. Additional support from  Cheryl Henson is gratefully acknowledged.