YIN MEI DANCE is a transdisciplinary contemporary dance company based in New York City with strong ties to China. The company has toured across the USA, Asia, and Europe in notable venues from Jacob’s Pillow, Yerba Buena, Lincoln Center, The City Center, DTW, LaMaMa, Movement Research at Judson Church, Theatre du Chartelet Paris, National Theater of Beijing and Nanjing, and many others. Before coming to the United States to study modern dance on a grant from the Asian Cultural Council, Yin Mei was a professional dancer with the Henan Song and Dance Troupe and later the principal dancer with the Hong Kong Dance Company. She is now a professor and the director of dance at Queens College, CUNY. Yin Mei Dance was formed in 1995 and presents a unique dance style employing Chinese energy, direction, and spatial principles as a means of creating new dance works within the rubric of contemporary dance theater. The work explores themes of artistic and spiritual significance arising at the intersection between Asian traditional performance and Western contemporary dance.
Yin Mei is a category-defying director/choreographer/performance artist known for creating contemporary dance theater works that fearlessly bridge geographic, technological, artistic and cultural divides to conjure a unique brand of theatrical magic. Yin Mei's recent works include physical theater Antigone (2017) and Seven Sages of the Bamboo Grove, a commision for the Hong Kong Dance Company that premiered in 2012. Widely seen as breaking new ground in combining traditional and contemporary dance styles, the work featured innovative “live cinema” staging by noted theater director Jay Scheib (World of Wires, Bellona The Destroyer). In April 2012, Yin Mei was the choreographer for a production of the opera Nixon In China the Theatre du Chatelet in Paris under the direction of Chen Shi-Zheng (Peony Pavilion). Other notable work includes the contemporary ballet A Scent of Time for the Beijing Dance Academy’s 36 Ballet Company; City Of Paper, a dance theater work created in collaboration with visual designer Tennessee Rice Dixon; Nomad: The River, a multi-media dance theater work; /Asunder, created in collaboration with installation artist Cai Guo-Qiang and composer Robert Een; and Empty Tradition/City of Peonies, conceived, choreographed and directed by Yin Mei, in collaboration with Indonesian composer Tony Prabowo and MacArthur Award winning Chinese visual artist Xu Bing.
Yin Mei was awarded a Fulbright Scholarship in 2012 and a Guggenheim Fellowship in Choreography in 2005. She was twice a Choreography Fellow of the New York Foundation for the Arts in 2004 and was twice nominated for a Cal-Arts Alpert Award in Choreography. Her work has been supported by grants from virtually all of the leading dance/arts funding organizations, including Rockefeller MAP, New England Foundation/National Dance Project, Creative Capital and the NEA, among others.
Yin Mei grew up in China and was a principal dancer with the Hong Kong Dance Company before coming to New York on a grant from the Asian Cultural Council. She has been a Professor of Dance at Queens College (CUNY) since 1992. In 2018, Yin Mei established a Four-Year BFA Undergraduate Program in Dance and Theater at Jackie Chan Film and Media Academy in Wuhan.
George Tsypin graduated from the Moscow School of Architecture in 1977. The same year he got the Second Prize for the International Competition «New and Spontaneous Ideas for the Theater for Future Generations.» In 1984, he graduated from the New York University (Department of Design for Stage and Film). He worked for many years with renowned directors such as Julie Taymor, Peter Sellars, Pierre Audi, Francesca Zambello, Jürgen Flimm and Andrey Konchalovsky and has a special creative relationship with the conductor Valery Gergiev. He worked with the Metropolitan Opera in New York (Prokofiev’s Gambler and War and Peace, Berlioz’s Benvenuto Cellini, Mozart’s Die Zauberflöte, Tchaikovsky’s Mazepa), Opéra Bastille in Paris, La Scala in Milan, Royal Opera House in Covent Garden in London, Bolshoi Theatre in Moscow (Puccini’s Turandot and Prokofiev’s Flaming Angel), Mariinsky Theatre in St Petersburg (Shostakovich’s Lady Macbeth of Mtsensk, Prokofiev’s Gambler and War and Peace, Mussorgsky’s Boris Godunov and Wagner’s Ring Cycle) among others as well as at the Salzburg Festival. He designed The Little Mermaid and Spider-Man: Turn off the Dark (Tony Award Nomination) on Broadway. In 1999, he created the Planet Earth Gallery, one of the Millennium Projects in England: a major installation of moving architectural elements, videos and 200 sculptures. In 2002, he exhibited his works at the Venice Biennale. He is a recipient of numerous awards and author of the book George Tsypin Opera Factory: Building in the Black Void (2005, Golden Pen Award). He was artistic director, production designer and coauthor of the script for the Opening Ceremony of the Olympic Games in Sochi in 2014 and was nominated for an Emmy Award. In 2014, together with Jürgen Flimm worked on the production of Puccini’s Manon Lescaut at the Mikhailovsky Theatre.
Sam Crawford completed degrees in English and Audio Technology at Indiana University in 2003. Crawford’s recent compositions and sound designs have included works for the Bill T. Jones/Arnie Zane Company (Venice Biennale, 2010), Kyle Abraham (Pavement, 2012), Camille A. Brown and Dancers (BLACK GIRL: Linguistic Play, 2016), and David Dorfman Dance (Aroundtown, 2017). La Medea, Crawford’s live multi-media collaboration with director Yara Travieso, premiered at PS122’s Coil Festival in January of 2017.
Huiwang Zhang danced with China Opera and Dance Drama Company and Paper Tiger Theater Studio in Beijing. He joined the Bill T. Jones/Arnie Zane Company in 2017 after the completion of his Master study in Dance and Choreography from the U.S and Germany under great mentorships of Stephen Koester, Sharee Lane, Ellen Bromberg and Katharina Christl. He has also performed with Pearsonwidrig dance theater and Yin Mei Dance. Huiwang’s movement research and teaching are inspired by his traditional training in Chinese Classical Dance, Martial Arts and all teachers like Jennifer Nugent, Sarah Pearson, Leah Cox, Patrik Widrig, Tao Ye, Eric Handman, and Janet Wong. His choreography, often through a sociocultural lens, gives voices to communities at risk of social exclusion and people whose stories are lost in the official narratives, carefully structuring an alternative history from the personal and private stories of individual. His work has been exposed internationally in China, U.S and Germany. Huiwang voluntarily edits a dance e-journal “upsidedown” in China where he writes and translates perspectives in contemporary dance making into Chinese language.
Guanglei Hui, originally from China, is an independent artist, choreographer, dancer and teacher. He studied at The Russian National Ballet Dance Academy from 2001-2003 and earned a major in Choreography/ Classical Ballet Performance with Education. While studying in Russia, he took second place in the Russian International Dance Competition. In 2005, Guanglei joined the first modern dance company in China, Guangdong Modern Dance Company. In 2008, he was invited to perform with GMDC in the anniversary celebration of the Pina Bausch Dance Company. He was invited as a young choreographer for Yokohama Dance Collection in 2011; and in 2012, he was invited to participate in the International Choreographers Residency Program (ICR) at the American Dance Festival. In 2013, Guanglei joined White Wave Young Soon Kim Dance Company. He began working with Shen Wei Dance Arts in 2014; and in 2016, he was invited to Taipei Dance Round Table Project to work on a new original piece. He has worked with renowned international artists including Sang Jijia (from William Forsythe Dance Company), Yin Mei (YMDC Artistic Director), Margaret Jenkins (MJDC Artistic Director), Shen Wei (Shen Wei Dance Arts Artistic Director), Hou Ying (HYDT Artistic Director), Jodi Melnick, Cheng-Chieh Yu (UCLA Dance Professor), Young Soon Kim (WHITE WAVE Dance Company Artistic Director), Lane Gifford (LaneCoArts Artistic Director). He has toured to international arts festivals in more than twenty countries.
Zhou Lijun is a dancer and a national first-class actress in China. She graduated from Beijing Dance Academy majoring in Classical Dance and completed her Master study in Choreography at Capital Normal University. She is currently enrolled in Queens college, CUNY as a visiting scholar. She was the lead at the Song and Dance Troupe of the China’s Liberation Army and now she is a lecturer of Capital Normal University. Lijun took the leading actress of many dance theater works in China including “Song of an Everlasting Regret”, adapted by a well-known Chinese epic in Tang Dynasty. She won the first prize in the 10th Beijing Dance Competition. In 2014, Lijun attended the Chinese “So You Think You Can Dance” and was rated as a highly popular dancer.
Huilian Wen is Associate Professor of East China University Of Technology and the Director of the Art Exhibition Center. She is now a Visiting Scholar at Queens College, City University of New York.
Li Fu is Associate Professor of the School of Music at Gannan Normal University. She is currently enrolled in Queens College, CUNY as a visiting scholar.
Residencies credits: The Hermitage Artists Retreat, Flushing Town Hall
Major support for Peony Dreams has also been provided by Martin E. Segal Theatre Center at The Graduate Center, Queens College CUNY, The John & Mable Ringling Museum of Art, Ethan Cohen Fine Arts, and New York Foundation for the Arts. Yin Mei wants to express her deep gratitude to her dancers and collaborators. Her special Thanks To: Robin Radin, Georgia Court, Steven High, Ethan Cohen, Rachel Cooper and Ralph Samuelson. Finally, Yin Mei wants to express her deep gratitute to LaMaMa Moves Festival Mia Yoo, and curator Nicky Paraiso.
Peony Dreams: On the Other Side of Sleep has received the National Dance Project Production Award by National Dance Project New England Foundation for the Arts in 2017.