Hunter College MFA / NYU Tisch MFA – Apr 18-20

April 18-20, 2025

The Club
74 East 4th Street, 2nd floor
New York, NY 10003

Tickets:

Adults: $30
Students/Seniors: $25
First 10 tickets are $10 (limit 2 per person)

Ticket prices are inclusive of all fees.

Two, three and five-show packages are available.

2-SHOW: $45 (Reg. $60)
3-SHOW: $60 (Reg. $90)
5-SHOW: $95 (Reg. $150)

Or check out all packages by clicking here.

Hunter College MFA in Dance:
Francesca Dominguez
’s The Nearly, Barely, Just
Maria Angela Talavera-Tejeda’s Por Debajo de la Rodilla

 

MFA in Dance: Interdisciplinary Research at New York University:
marion spencer’s SYMPHONY
Xin Ying’s Paper Dragon: Five Elements Matrix

HUNTER COLLEGE MFA

The Hunter College MFA in Dance is for returning professionals seeking to investigate the role of dance in contemporary culture. This community of inquiry meets in the intentional space that each cohort of artists forges together.

The Nearly, Barely, just

ABOUT

Francesca Dominguez’s The Nearly, Barely, Just unravels the tension between compulsion and control, examining how our bodies become conditioned to constant stimulation and where the line blurs between impulse and agency.

CREDITS

Choreographed by Francesca Dominguez

BIOS

Francesca Dominguez is a choreographer, performing artist, and educator whose approach merges the realms of dance and anatomical exploration. Holding an MFA in Dance from Hunter College, her dedication to the craft earned her the prestigious Shuster Award for Outstanding Master’s Thesis in 2022. Francesca’s artistic journey is marked by a deep engagement with Countertechnique, having trained extensively with its founder, Anouk van Dijk.
Francesca’s teaching portfolio reflects her versatility and commitment to the art form, with current positions as an educator for Gibney Dance Company, The Juilliard School, Barnard/Columbia Dance, the Gibney PRO Program, Mark Morris Dance Group, and Peridance Center. Her training, honed through her studies at Hunter College, CSU Long Beach, and the Lines Ballet Training Program, informs her nuanced approach to dance. Having performed for 3 years with Soluq Dance Theater in NYC, Francesca now brings her artistry to recurring freelance projects with NYC-based choreographers SAXYN Dance Works, Maria Angela Talavera Tejeda, and Liony Garcia.
Venturing into choreography in 2021, Francesca made a notable debut with “Galvanizing Steel,” a sold-out show at Gibney Dance Theater that captivated audiences. In 2022, she was selected for the Doug Varone Devices Performance, and her choreographic work was further recognized with a grant and performance residency from The Jamaica Center for Arts & Learning (JCAL) in September 2023. In 2024, Francesca was commissioned to create a new work as a faculty choreographer for Barnard Dance Department.

POR DEBAJO DE LA RODILLA

ABOUT

Maria Angela Talavera-Tejeda’s Por Debajo de la Rodilla (“Below the Knee”) is an immersive dance that examines the body’s unspoken language, revealing ancestral memories and the human yearning for salvation, recognition, and forgiveness from a higher power.

CREDITS

Dancer and Performer: Mar Talavera-Tejeda
“El Divisadero” – Chris Watson
“Cuerpo Celeste” – Murcof
“Untitled Track” – Vladislav Delay
“1382 Wycliff Gen. II. 7 and Spiride in to the Face of Hym an Entre of Breth of Lijf” – Akira Rabelais
“Dimension” – Hélène Vogelsinger

BIOS

Mar (she/her) is a Peruvian movement artist and filmmaker. She is a second-year MFA in Dance candidate and an adjunct faculty member at Hunter College. Mar is a 2024 Ann & Weston Hicks Choreography Fellow at Jacob’s Pillow. She has been selected for The Emerging Choreographer Series by Mare Nostrum Elements and has participated in Devices by Doug Varone. In 2023, her works Hey… in Here You Will Be Safe, and Someone is Rocking You from Above premiered at LPAC and MMAC. In 2024, Por Debajo de la Rodilla was featured at La Mama Theatre as part of the EstroGenius Festival. Her dance film Still was selected and awarded in international screendance festivals such as San Francisco Dance Film Festival, Mirada Corta (Mexico), and Insólito (Peru).

NYU TISCH MFA

 

The MFA in Dance: Interdisciplinary Research at New York University program provides a laboratory for established artists, makers, and practitioners to reimagine and enact dance through a range of collaborative and self directed research, from the speculative to the practical.

SYMPHONY

ABOUT

In her new solo, SYMPHONY, marion spencer investigates the archive from her lineage and daily life, asking what we hold onto and why in a world of imminent climate catastrophe.

CREDITS

Choreography, performance, sound design and projection by marion spencer

BIOS

marion spencer is a Bessie-nominated artist living in Lenapehoking/Brooklyn. Through a weaving of artistic mediums including movement, sound and installation, marion’s works create poetic ecosystems within which to wonder, feel & dream, excavating the personal, the systemic, the unknown, the wild, the experimental, the cellular and the beautiful. Her work has been presented by Roulette Intermedium, Center for Performance Research, Danspace Project, Gibney, New Dance Alliance, Movement Research at Judson Church, Triskelion Arts, and more. She has been an artist in residence at The Chocolate Factory Theater, The Field Center, Amherst College, Mana Contemporary, Gibney, New Dance Alliance and more. marion also teaches Pilates and is a Craniosacral Therapist. She is a graduate student at NYU Tisch, earning her MFA in Dance: Interdisciplinary Research.

Paper Dragon: Five Elements Matrix

ABOUT

Xin Ying’s Paper Dragon: Five Elements Matrix is an interdisciplinary performance that incorporates movements and sounds into the five-elements-matrix, creating a new ritualistic form for all transplants who are uprooted from where their traditional rituals are rooted.

CREDITS

Created by Xin Ying
Collaboration with Eng Kian Ooi, Candice Wu, Bárbara Moreira da Silva

BIOS

Xin Ying, choreographer, principal dancer of Martha Graham Dance Company, Dance Magezine October 2020 cover star. In 2008 she received the China Dance Lotus Award. Her work was commissioned by Martha Graham Dance Company, Ballet West Academy, Ballet Arkansas, Colab Dance, Art Bath. Performed in Guggenheim Museum, Kaatsbaan Cultural Park, Manhattan Movement and Arts Center, Graham Center. As she completes her MFA at NYU, she has created a costume-trained GPT for Graham Company, MarthaBot. Her project Lamentation: Dancing the Archive, using volumetric film and AR tracking technology, received the Google Grant Award, it is set to premiere at Jacob’s Pillow in the summer of 2025. And Letter to Nobody, a collaboration with media that allows her to dance with Martha Graham, and which is receiving its world premiere during this season at The Joyce.

Eng Kian Ooi, born and raised in Malaysia, studied dance at Wichita State University, Martha Graham and Merce Cunningham. He has performed with various contemporary dance companies in New York and with national and international tours of “The King and I”

Bárbara, an interdisciplinary creator and researcher, investigates the connections between
macroscopic existence, creation, and the microscopic material body. She emphasizes the interplay of voice/music with dance and explores the significance of the gut microbiome and gut-brain axis in understanding bodily materiality. She is currently pursuing her studies in NYU’s Gallatin MA program. Program.

SF-native Candice Wu is a Chinese-American singer-songwriter, movement artist, and creative currently based in New York City. She hums and wiggles a whirlwind of identity crises and indecision intertwined with gratitude and acceptance. A curious traveler, beautiful people, experiences, and memories take shape in her music and movement. a Masters in Songwriting from NYU, she is set to release her first single later this Summer.

La MaMa Moves! Dance Festival

20th Anniversary

Click here to see list of shows for La MaMa Moves! 20th Anniversary.

La MaMa Moves! Dance Festival continues to support La MaMa’s commitment to presenting diverse performance styles that challenge audience’s perception of dance by featuring performance/installations, experimental film screenings & public symposiums which address dance artists’ engagement with the current political climate, as well as honoring diasporic histories and legacy, ancestral inspirations and inter-generational dialogue.

A black background with a black square.

La Mama is a world-renowned New York cultural institution dedicated to the artist and all aspects of the theatre.

Skip to content