Take Me To Dollywood | May 14-31

May 14-31, 2026

Preview Performances May 14 & 15

Opening Performance May 16


The Downstairs
La MaMa Experimental Theatre Club
66 E 4th Street
New York, NY 10003

Tickets:
$35 Adults
$30 Students / Seniors
$50 Support The Artist Tickets
La MaMa Members: $10

10 @ $10 Tickets: $10 La MaMa Members. First ten tickets to every performance $10 each (limit 2 per person)

Ticket prices are inclusive of all fees.

AGES 18+ ONLY
This production contains pornography, strobe effects, and depictions of violence.

“Bombs of color and experiments profane….”

Billy McEntee from Staff Picks

ABOUT

La MaMa presents the world premiere of Take Me To Dollywood, a production by The Fool Volk. A new full-length collage of scenes and experiments with a queer southern twang. On a porch in the south, a faceless Dolly Parton haunts the stage as characters find themselves on the edge of relationships, sexuality, and reality. A woman has eaten her hand, a sexy gummy bear awaits certain death, two men meet for a hook-up, a boss rummages through his employees’ desks, and the playwright details his sex life.

The Fool Volk is a collective built on the belief that silliness goes hand in hand with change. Blending experimental play with classical rigor, they create visually bold, site-specific work that takes full advantage of the live medium. The Fool Volk embraces the figure of the Fool not as a clown, but as a truth-teller who uses humor to spark thought and feeling. Their productions mix audience interaction, games, scenes, and physical tasks to produce a whimsical and compelling experience.

appearances on the following dates

May 21st and May 22nd,
Carolyn Best as Player 4

May 28-31,
Royce Johnson as The Playwright

CREDITS

Company: The Fool Volk

Artistic Director/Co-Founder: Harris Singer

Associate Artistic Director/Co-Founder: Sammy Rivas

Associate Artistic Director: Vero Matheny

Producers: Amelie Brooks-Hochheimer, Tess Walsh, Lydia Sims

Playwright: Harris Singer

Director: Luke Wisniewski

Dramaturg: Angelina Noelle

Scenic Designer: Sean Lillis

Lighting Designer: Josh Healing

Lighting Assistant/Projection Designer:  Micah Dominguez-Schatz

Sound Designer: Dustin Frankel

Costume Designer: Harper Edge

Movement Assistant: Andrew Stout

Stage Manager: Orla Patterson

Production Manager: Nikita Chernin

Bios

CAST

The Playwright’s Mom: Lisa Cohen

Lisa Cohen is thrilled to be making, not only her La MaMa debut, but also her theatrical debut in Take Me To Dollywood! Born in Miami, Florida, she built a career in luxury hospitality with work spanning New Orleans, St. Louis, Miami, and Atlanta. At 36, she earned her law degree from Georgia State University (and went into labor while in her civil procedure class!) and now practices in real estate law. Lisa also studied in Madrid, Spain, where she focused on Spanish language, art, and history. This is her first time on stage, and she is especially excited to be performing in a piece created by her child.

 

The Playwright: Harris Singer

HARRIS SINGER (he/him) is a Georgia-born, New York City–based actor, playwright, and director. His work spans mediums and champions theatre that fully engages audience, body, and space. In Take Me To Dollywood, he serves as playwright and performs as The Playwright, blurring the line between author and performer. Selected playwriting credits include The Eleventh Goodbye (RWM Wine Selections) and Trying for Hedda (La MaMa Experiments Play Reading Series). As an actor, his credits include Measure for Measure (brooklynONE Productions), The Cherry Orchard (Staten Island Shakespeare), Leave If No Response (The Tank), and U/S Girl from the North Country (Actor’s Express). He is the co-founder and artistic director of The Fool Volk and is currently a directing apprentice with Actor’s Express in Atlanta, Georgia. Insta: @wacky.inflatablefanman | Web: harrissinger.com

 

Player 1: Sam Flynn

Sam Flynn can be described as a woman with the personality of a pop star, but without any musical talent or ability. Thankfully, to make up for this deficit of musical abilities, she’s amassed a multitude of other financially destabilizing talents; acting, content creation, writing, and figure modeling to name a few. If you like what you see in this show, please hire her. If you don’t like what you see in this show, still please hire her. She is begging you. And finally, she would like to send a big hug and kiss to the cast and crew of Take Me to Dollywood <3 @sflynn1929

 

Player 2: Brason Jones

Brason Jones is an actor and musician from the teeny tiny town of Warda, Texas. He is honored to join the company of TMTD. Recent credits: Cooking with Kathryn (Soho Theatre), Life is a Dream (The Theater Company), The Waco Tapes (The Vino Theater). Upcoming: That Paradise Place (Pussypaws Puppetry). Training: NYU-Tisch, Ecole Philippe Gaulier. @brasonjones

 

Player 3: Tomias Robinson

Tomias Robinson (they/them) is grateful to be making their La Mama debut! Tomias is an actor, singer, and confident mover from Winchester, Kentucky. They trained at the University of Michigan, where they received their BFA in musical theatre. Recent credits include Leading Player in Pippin (Weston Theatre Co.), Rheba in You Can’t Take it With You (Brooklyn Center for Theatre Research), and Lady Bracknell in The Importance of Being Earnest (University of Michigan). They would like to thank their family, friends, teachers, and TPG for their never-ending love and support. Insta: @tomiasrobinson

 

Player 4: Carter

CARTER (they/them) is a trans-disciplinary artist + creative doula—passionate about visceral, community-oriented art; art that archives somatic memory while cultivating a sacred space of release and play. Performances include: High John 5:17 (Write Club: Punching Bag) IS GOD IS (Columbia: Lenfest) The Butterflies (Columbia), Aftermath/Analyzing Anguish (The Flea), Seven Guitars (Actors Shakespeare Project), Grounded (Irondale). Upcoming projects: In De Back Of God’s Eyes (Ma’at Works Collective), illīs quī mūtatī (DISCO/ALTAR). Carter is also an ensemble member with the New York NeoFuturists, where they create + perform short-form theatrical experiments about the fiercely urgent present. To the incredible TMTD cast + creative team: thanks for having me!  Find Carter on Insta:@its_carter_beloved <3

 

Dream Dolly: Michelle Zabinkski

Michelle Zabinski is a recent honors graduate of NYU Tisch, where she earned a BFA in Drama and trained at the Atlantic Acting School and Experimental Theatre Wing. Since graduating, Michelle has worked as a production assistant for Big Dance Theatre Company (Girl Group, The Oath, a film by Ana Kovgan) and assisted a variety of new work development projects. Michelle co-founded an independent theatre production company (MJ.Roundtable) that focuses on the development of early career femme and queer theatre artists. She is delighted to be reprising her role from the The Fool Volk’s workshop production as Dream Dolly in Take Me To Dollywood at La Mama. @michelle.zz

 

Understudy: Carolyn Best

Carolyn Best is an actor from Vienna, Virginia by way of Ithaca, New York. She is over the moon to work with The Fool Volk again after unhinging her jaw reading in Prophets and Harbingers. Past favorite credits include: Edward in The King’s Men (Twenty Somethings), Shelby Hinkley in I’m Gonna Marry You Tobey Maguire (New Voices Literary Festival), Tracey in Sweat (Ithaca College), and directing + dramaturging Heroes of the Fourth Turning (Cherry Artspace). Upcoming film projects: Brian Klugman’s Somedays and Andrea Nix Fine + Sean Fine’s Untitled HBO Docuseries. Training: Ithaca College BFA. carolynalicebest.com

 

Understudy: Royce Thomas Johnson

Royce Thomas Johnson is an actor, writer, and sketch comedian who grew up in Atlanta, GA. Recent credits include the award-winning Stuck (NYC Fringe, Cincinnati Fringe, and Atlanta’s Lavender Fest), Happenstance (Kraine Theatre), Crazy About You (Producer’s Club) and the premiere of Velvet Rage (The Tank and HB Studios). TV includes Criminal Minds, Chuck, and Hannah Montana. Upcoming film includes the feature Mother Wolf with Melissa Leo. After jumping between coasts, Royce is firmly planted in New York and is thrilled to be making his LaMama debut. You can find him on Instagram at @roycelooksatstuff.

Theatre Company: The Fool Volk

The Fool Volk is a collective built on the belief that silliness goes hand in hand with change. Blending experimental play with classical rigor, they create visually bold, site-specific work that takes full advantage of the live medium. The Fool Volk embraces the figure of the Fool not as a clown, but as a truth-teller who uses humor to spark thought and feeling. Their productions mix audience interaction, games, scenes, and physical tasks to produce a whimsical and compelling experience.

 

Director: Luke Wisniewski

Luke Wisniewski is a proud Minnesotan and theater artist living in NYC. He recently co-directed/created/performed  “Distant Image of Tiny World” which held a sold-out run at ART NY with Re/Venue. He has performed with Clubbed Thumb, Hoi Polloi, JACK, The Brick, Movement Research, Kingsmen Shakespeare, and Commonwealth Shakespeare. He has directed at IRT Theater, Green Lung Studios, Quick + Dirty, The Clemente, American Theater of Actors, and recently assistant directed “FAMILY” by Celine Song at La MaMa and Re/Venue at Mark Morris Dance Center. He is the Co-Director of ALab Theater Festival. lukewisniewski.com

 

Playwright/Performer: Harris Singer

HARRIS SINGER (he/him) is a Georgia-born, New York City–based actor, playwright, and director. His work spans mediums and champions theatre that fully engages audience, body, and space. In Take Me To Dollywood, he serves as playwright and performs as The Playwright, blurring the line between author and performer. Selected playwriting credits include The Eleventh Goodbye (RWM Wine Selections) and Trying for Hedda (La MaMa Experiments Play Reading Series). As an actor, his credits include Measure for Measure (brooklynONE Productions), The Cherry Orchard (Staten Island Shakespeare), Leave If No Response (The Tank), and U/S Girl from the North Country (Actor’s Express). He is the co-founder and artistic director of The Fool Volk and is currently a directing apprentice with Actor’s Express in Atlanta, Georgia. Insta: @wacky.inflatablefanman | Web: harrissinger.com

 

Stage Manager: Orla Patterson 

Orla Patterson is a theatre artist whose recent credits include: This is Real (Target Margin Theater), PROFESSIONAL DEVELOPMENT (Little Lord/The Exponential Festival), Broken Images (Tea & Pickle Productions/Paradise Factory Theater), Bobbie Clearly (Vaguely Sharp/Flamboyán at The Clemente), Adjuncts (the cell), Worms (Williamstown Theatre Festival), The Ghost of Bob Dylan Shows One of Us Greatness (Soho Playhouse), Episodic Theatre Project: Season 2 (Under St. Marks), and Into the Woods (Make Lemonade/The Flea). She is very excited to be a part of Take Me To Dollywood!

 

Production Manager: Nikita Chernin

Nikita Chernin (Production Manager) is a New York City–based theater artist and proud member of the Stage Managers’ Association. With a background in stage management, production management, and producing, he specializes in guiding new works from development to performance. His credits include Off-Broadway and regional productions such as the world premiere of works like Slam Frank and Dirty Books, as well as Little Shop of Horrors, Once on This Island, and The Wedding Singer at the Winnipesaukee Playhouse. For Take Me to Dollywood, Nikita is thrilled to support the creative team in bringing this bold and imaginative piece to life. He is passionate about building inclusive rehearsal processes and championing stories that challenge and connect communities. Nikita thanks his collaborators, mentors, friends, and family. Follow his adventures on Instagram @n6chernin. Nikita invites you to find joy in the unexpected and comfort in the wonderfully strange.

 

Scenic Designer: Sean Lillis

Sean Lillis is a Brooklyn based Scenic Designer from Poughkeepsie NY. He received a BFA from the Conservatory of Theatre Arts at Purchase College. His recent credits include  WRITE CLUB Summer Playfest, What the Constitution Means to Me: presented by Rivertowns Playhouse, The Sickness of Wanting: presented by PRIDEFEST at The Tank, Coriolanus presented by Nocturne Theatre at Dixon Place, l Inspector Pulse; takes his pulse presented by the Children’s Chamber Society at Lincoln Center, and the workshop of Take Me to Dollywood presented by the Fool Volk at St. Lydia’s. Sean’s goal is to work with new and emerging artists to tell meaningful stories.

 

Lighting Designer: Josh Healing

Josh Healing (He/Him) is a lighting designer, projection designer & composer for theater. Recent designs include THE KINGS MEN (Waterfront Museum), TRYING FOR HEDDA (ALab Fest), BLOOD WEDDING (Stone Circle Theater), THE SEAGULL etc…(The Clemente Center), SWEENEY TODD (NYU), BID (The Tank), A LIE OF THE MIND (American Theater of the Actors), STOP KISS (The Chain Theater), and ANXIETY IS THE DIZZINESS OF FREEDOM (NYU). Josh is also a junior lighting designer for FARO Studio, where he has lit projects for Valentino, Apple, Nike, and more. Josh is a proud Chicagoan and recent graduate of Tisch Drama. joshhealing.com

 

Lighting Assistant/Projection Designer: Micah Dominguez-Schatz

Micah Dominguez-Schatz is a lighting/media designer based in New York City, working in theatre, dance, and music performance. Recent credits: Ballet Revolución (Lighting Direction, Europe Tour), Here Now So Long (Lighting Design, NYLA), and The Arden of Faversham (Lighting Design, ALAB Festival). Website: mdsdesign.org

 

Costume Designer: Harper Edge

Harper Edge is a Costume Designer, Writer and Visual Artist. While finishing a degree at NYU Tisch in Dramatic Writing, Edge has aided in costuming multiple productions in the downtown theater space, (ALab Fest., The Clemente Theater, ect.) As a costumer, she focuses on vintage styling and working with unconventional materials to realize she and her colleagues collaborative vision. Edge’s background in oil painting and textile weaving (knit, crochet) informs the detail and composition of her work. Edge places emphasis on working with the production team to create a safe and comfortable space for all those involved in the costuming process. She currently resides in NYC with her cat Toulouse.

 

Sound Designer: Dustin Frankel

Dustin Frankel is a theatre & film sound designer and musician. With a background in film sound mixing, he brings a cinematic ear to the stage, creating immersive, layered soundscapes that highlight storytelling and atmosphere. His theatre credits include sound design on Take Me to Dollywood’s initial workshop, The Gallery Players Romeo & Juliet, and In Absentia. Pulling from experience as both a musician and a film sound mixer, Dustin blends the precise techniques of film with the energy of live performance to shape flexible and immersive theatrical worlds.

 

Dramaturg: Angelina Noelle

Angelina Noelle (she/they) is a Virginia native, now Brooklyn-based actor, soundpainter, and creative researcher thrilled to be a part of this show as the Take Me To Dollywood dramaturg! A graduate of NYU Tisch School of the Arts for Drama, she is drawn to complex, weird, and emotionally palpable stories that reflect the strange multitudes within the human condition. When they’re not collaborating, you’ll likely find her singing, ice skating, or wandering around the city with friends in search of a good cup of tea. [@aan9elina]

 

Producer: Tess Walsh

Tess Walsh (they/them) is a theatre maker raised and based in Bay Ridge, Brooklyn. They studied anthropology and dramaturgy at SUNY Purchase, and currently study at CCNY, working towards a masters and certification in educational theatre. They previously worked at En Garde Arts as a marketing and producing assistant, and currently work within the NYC DOE. They have a deep passion for using the arts as a means of cultivating critical thinking and community engagement amongst young people.

 

Producer: Lydia Sims

Lydia Sims is an actor & producer originally from Savannah, GA. Most recently she produced and acted in the web series SHREWS (all on YouTube!) that’s making its way through the festival route, lastly Big Apple and the Art of Brooklyn. In the past year she’s been acting in plays around town, most recently Rocks and Geodes by Lydia Riess at BCTR & Erase Erase by Zoe Nelms at Grace Exhibition Space. Here’s her website and Instagram! Yay! lydiacsims.com @lydiacsims

 

Producer: Amelie Brooks-Hochheimer

Amelie Brooks-Hochheimer is a writer/director/producer/community builder living in Brooklyn. A graduate of the Rita & Burton Goldberg Department of Dramatic Writing, Amelie co-founded production company Fat Bitch Media with her bestie Pinky Mancuso, for which Amelie has thus far produced, written, and co-creative directed photoshoots, workshops, and theatre. In addition to her own ventures, Amelie has produced several other endeavors, including Out On Film Fest short film selection Heels (2023), upcoming horror short film Brute (2026) and Iconic America: Our Symbols and Stories for PBS. In her free time Amelie enjoys hanging out with her three legged cat, eating good, and running away to the ocean.


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