Ho, ho, ho your way through our cheeky ballad of a show, sharing the tales of our young wāhine Māori as they navigate this world, festive nipples first, following in the footsteps of our naughty nannies from the kāuta.

The performance Once Upon Tomorrow refuses to be situated in time, and often refuses to be situated in space as well. It constantly rearranges itself, just as it rearranges the possible meanings that can be inscribed into the relationship between two people.

"Only Under" is a performance about forces: invisible, structural, emotional, and physical. Inspired by wave mechanics, the piece explores how movements, both choreographic and social, emerge only under certain conditions.

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La Mama is a world-renowned New York cultural institution dedicated to the artist and all aspects of the theatre.