The Censorship of Dreams | May 2-May 17
May 2 – May 17, 2026
Ellen Stewart Theatre
66 East 4th Street
New York, NY 10003
Tickets:
Adults: $40
Students/Seniors: $35
La MaMa Members: $10
10 @ $10 Tickets: First 10 tickets are $10 (limit 2 per person)
Ticket prices are inclusive of all fees.
Running Time: 90mins
Written by Nora Sørena Casey
Directed by Arthur Makaryan
ABOUT
“We want to keep an eye on them. The dreams. The dreamers.”
Welcome to a world stripped of memory and ruled by constant surveillance, where brain-computer technologies shape truth. In this Restarted civilization, dreams are the last remnants of the past. They become a dangerous currency for those who struggle to survive.
Arte Makar Productions, led by Armenian director Arthur Makaryan, creates visually striking, interdisciplinary performances that blend theater, technology, and political inquiry. Rooted in international collaboration, the company explores themes of memory, control, and resistance through immersive storytelling. Makaryan’s work spans Europe, the US, Middle East, and South America, bridging experimental forms with urgent social questions to provoke, unsettle, and inspire. Their latest international collaboration, The Censorship of Dreams, is a timely and resonant exploration of how love, language, and the body are reshaped in a world without privacy.
★★★★ “The direction brought a striking perspective, adding even more emotion than the theme already carries … moving many in the audience to tears.” —A8 Cultur on Arthur Makaryan’s Pai.
“an off-the-beaten-path adventure … packed with young talent” —The New York Times on Nora Sørena Casey’s False Stars
“The play’s strengths lie in the sharp and often overlapping dialog that caroms between ironic humor and bleakness” —Talkin’ Broadway on Nora Sørena Casey’s Not Afraid
Credits
Company: Arte Makar Productions
Playwright: Nora Sørena Casey
Director and Producer: Arthur Makaryan
Co-Producer: Samir Nikocevic
General Manager: XYZ Thearicals
Scenic and Lighting Designer: Christopher Annas-Lee
Costume Designer: Emily White
Sound Designer: Audrey Chou
Publicist: OFF OFF PR/Paul Siebold
Stage Manager: Olivia Martin*
Wardrobe Supervisor: Olivia Zacchia
Associate Scenic Designer and Props Supervisor: Ivàn J. Torres
Cast
Jes Dugger *
Chris Jaymes *
Kat Warnusz-Steckel
Bryce Michael Wood *
*appearing courtesy of Actors Equity Association
bio
Arthur Makaryan is the Artistic Director of Arte Makar Productions, a member of SDC, and a signatory of SAG AFTRA. A stage director, producer and educator, Arthur received Juilliard’s Opera Directing Fellowship in 2017-18 and holds master’s degrees in directing from Columbia University (MFA) and Sorbonne (MA).
His recent credits include “PA!” which premiered in Rio de Janiero and toured in São Paulo with an upcoming tour in Armenia, Turkey, France and Portugal; “Hamlet Machine,” which toured in Armenia, Lithuania, Russia, Moldova, Egypt, France and the US (off-Broadway); and “Black Garden,” in Paris and NYC.
Trained at the Grotowski Institute in Poland, Suzuki Company in Japan, Stella Polaris in Norway and Theatre of the Oppressed in France, Arthur brings a versatile approach to his artistic practice and teaching which bridges tradition with innovation. He has assisted luminaries such as Ivo van Hove at Toneelgroep, Stephen Wadsworth at The Met, Darren Katz on Broadway. He was also recently invited to speak at the 28th International Symposium on Electronic Arts in Paris and at the TransCultural Exchange International Conference in Cambridge, MA.
Nora Sørena Casey
Nora Sørena Casey’s plays include SORRY/NOT SORRY (Ars Nova ANT Fest, Bushwick Starr Reading Series), Take the Car (Williamstown Theatre Festival, Brooklyn College, Shanghai Theatre Academy), The Nature Room (Columbia New Plays Festival) and Resistance Training (Women-In-Theatre Festival). Her play False Stars premiered at the Corkscrew Festival in a “fast-paced, heartfelt and precise” (Stagebuddy) production that was “packed with young talent” (New York Times). Her New York debut, Not Afraid, was praised for its “sharp and often overlapping dialog that caroms between ironic humor and bleakness” (Talkin Broadway) and unique protagonist, called “the kind of weirdo we want to root for” by The New York Times.
Previous projects in dramaturgy include workshops of an untitled play by Pulitzer Prize winner Jackie Sibblies Drury (Lark Studio Retreat, Bushwick Starr Reading Series); the development of The Universe is a Small Hat by Cesar Alvarez (Joe’s Pub, Prelude 2013, Babycastles); and assisting David Henry Hwang on the Broadway revival M. Butterfly.
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