Coffeehouse Chronicles #182: Richard Schechner – March 7

March 7, 2026
3-5pm

The Club at La MaMa
74A East 4th Street
New York, NY 10003

Tickets are Pay-What-You-Can from $10–$70
FREE for La MaMa Members

Moderated by Sara Brady

With Frank Hentschker, Yassi Jahanmir, and Richard Schechner

 

Special presentation:

Radaboxes by Paula Murray Cole

 

More to be announced….

ABOUT

Coffeehouse Chronicles will honor Richard Schechner on the occasion of the publication of his new book, Schechner Plays, recently released by Intellect. The volume includes both Schechner’s written plays and group-devised works. This celebration also looks ahead to a major international retrospective of his work, scheduled for 2027, to be presented in many of the theaters where his work has appeared over the past six decades.

Featuring live performances from Schechner’s early plays, Joan MacIntosh reading from Dionysus in 69, along with selected scenes directed by Erin Mee.

Paula Murray Cole demonstrating Radaboxes

 

CREDITS

Moderated by Evangeline Morphos
With
Marvin Carlson, Kathleen Chalfant, Christen Clifford, Carl Halberg, Yana Landowne, Karen Malpede,  Tommie J Moore, and Dee Pelletier

BIOS

Sara Brady is the Managing Editor of TDR. She is Chair of the Department of Communication Arts & Sciences at Bronx Community College and Professor of Theatre and Performance at the CUNY Graduate Center. She is the author of Performance, Politics, and the War on Terror: “Whatever It Takes” (Palgrave, 2012); co-editor with Lindsey Mantoan of Performance in a Militarized Culture (Routledge, 2018); and co-editor with Henry Bial of The Performance Studies Reader, 4th ed. (Routledge, 2025).

Yassi Jahanmir is an international theatre director and scholar whose work sits at the intersection of historical reinterpretation, sport as performance, and cultural exchange. She is the co-founder of the Tucson Fringe Festival and has developed work in the U.S., Europe, and the Middle East. She holds a PhD in Theatre and Performance Studies and has worked extensively in academic and professional theatre contexts.

Erin B. Mee has directed at the Public Theater, New York Theatre Workshop, SoHo Rep, HERE, The Magic Theatre, and The Guthrie Theater in the United States, and with Sopanam in India. She is the Founding Artistic Director of This Is Not A Theatre Company, with whom she has conceived and directed Pool PlayA Serious BanquetReadymade CabaretFerry PlaySubway Plays,Festival de la Vie for the Avignon Festival, Versailles 2015/2016Pool Play 2.0  for the International Theatre Festival of Kerala, Theatre In The Dark: Carpe DiemPlay!, Readymade Cabaret 2.0Play In Your Bathtub(also translated into Russian and performed by WOWWOWWOW in Moscow), Guru of Touch for the Edinburgh Festival Fringe, and Tree Confessions for the Edinburgh, Brighton, Melbourne, and Philadelphia Fringe festivals. Three of her productions will be part of FIBA (International Theatre Festival of Buenos Aires) in 2022. She is the author of Theatre of Roots: Redirecting the Modern Indian Stage, co-editor of Antigone on the Contemporary World Stage, editor of DramaContemporary: India, and co-editor of Modern Asian Theatre and Performance 1900-2000. She has written numerous articles for TDRTheatre JournalPerformance ResearchAmerican Theatre Magazine, and other journals and books. Her born-digital Scalar article “Hearing the Music of the Hemispheres” won the ATHE-ASTR Award for Best Digital Article in 2016. She has lectured and taught in India, China, Argentina, Nepal, England, and Spain. She is Associate Arts Professor, Department of Drama, Tisch, NYU. www.erinbmee.com
 
Joan MacIntosh was a founding member of The Performance Group in 1967. With the Group she played Agave and Dionysus in Dionysus in 69,( OBIE Award) a Dark Power in Makbeth, Clementine in Commune, for which she won an OBIE for Distinguished Performance, Jean Harlow in The Beard, Becky Lou in The Tooth of Crime (OBIE), Mother Courage in Mother Courage and Her Children, in New York, and on tour in the US and India, Marilyn Monroe in The Marilyn Project, Jocasta in Ted Hughes adaptation of Seneca’s Oedipus, and Spalding Gray’s mother in Sakonnet Point. In the 59 years that Joan has been a professional actor she has worked with many distinguished directors, among them Richard Schechner, of course, Ivo van Hove, JoAnne
Akalaitis, Joseph Chaikin, Andre Gregory, Richard Foreman, Liz Swados, Liz Diamond, Suzan-Lori Parks, Annie Dorsen, Sir Peter Hall, Richard Jones, Liviu Ciulei, Chris Markle, Zelda Fichandler, Carey Perloff, Michael Greif,
Robert Woodruff, Austin Pendleton, Mary Robinson, Brian Mertes, Travis Preston, and Jo Bonney; and has played many wonderful leading characters with brilliant actors in New York, and in theaters around the world. Additional Awards: Drama Desk for Request Concert; Herald Angel Award for Distinguished Performance in More Stately Mansions, Edinburg Festival; Elliot Norton Award for Outstanding Actress in Britannicus; and an OBIE for Sustained Excellence of Performance; JDR III Grant for travel and study in India, Southeast Asia and Papua New Guinea; USIA Grants for India, Southeast Asia and South Africa. She has taught acting internationally throughout her acting career, and currently directs and teaches acting at the David Geffen School of Drama at Yale University. She is writing a book about her years in the Experimental Theatre, 1967-78. Joan is a Fox Fellow and a member of The Actors Center in NY.

Coffeehouse Chronicles

La MaMa Program

Coffeehouse Chronicles is an educational performance series exploring the history of Off-Off Broadway. Part artist-portrait, part history lesson, and part community forum, Coffeehouse Chronicles take an intimate look at the development of downtown theatre, from the 1960s’ “Coffeehouse Theatres” through today. Events feature firsthand oral accounts from artists of the day, as well as conversations with contemporary artists who work in the same bold, daring manner today. Since 2005, La MaMa has presented more than 150 Coffeehouse Chronicles, building on our mission to provide a home for personal engagement with art. 

Series Director: Michal Gamily

Coffeehouse Chronicles 2025–2026 is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council and the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. Additional support provided by the Howard Gilman Foundation and The Shubert Foundation.

 

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La Mama is a world-renowned New York cultural institution dedicated to the artist and all aspects of the theatre.