Juliana Morales Carreño
Juliana Morales Carreño is a Colombian theater artist in search of spaces of communion through theatrical language. She is co-founder of Anfibia Teatro, a theater company based in Bogotá. She has worked in theater and opera as a director, actor, producer, and playwright. Some of her productions include Kilele by Felipe Vergara at Yale School of Drama (2025); Makanaky by Juan Pablo Herrera Montoya (PELZ), at UNATC “I.L. Caragiale” in Bucharest, Romania (2023); Solo Mia (2020) by Juanpablo Gómez at Teatro la Maldita Vanidad; As One (2022), winner of the Ópera al Parque 2021 Grant, where she was Pedro Salazar’s associate director; Gianni Schicchi by Giacomo Puccini and The Seven Deadly Sins by Kurt Weill and Bertolt Brecht for directed by Pat Diamond at the Yale Opera in 2024. Same year in which she translated, adapted and directed Hamlet, princesa de Dinamarca at the Yale School of Drama. She studied History and Literature with an emphasis in theater studies at Universidad de los Andes in Bogotá and the M.F.A in Theater Directing at David Geffen School of Drama where she was awarded the Julian Milton Kaufman Memorial Prize in directing.
Website
julianamoralescarreno.com
Goal for Residency
During my residency at La MaMa I will be developing Solitaria. A play about a circle of lonely women who meets to reclaim their judgement after the decision to have an abortion. A judgement that seems to be lonely, but through the journey it will be revealed as collective, sacrilegious, wild and liberating. My goal is to nourish my artistry from the incredibly rich and diverse environment at La Mama; and to gather an ensemble of performers (actors and drummers from the Caribbean) to experiment with the seminal text of Solitaria, creating a collective experience where the circle of lonely women can look at each other’s eyes and share together.
This residency is made possible by the Jerome Foundation.
residency work
Solitaria
A circle of lonely women. A circle of women choosing their own grief. A circle of women facing their shame. A circle of women facing judgment. A circle of women sharing their pain. A circle of women killing the Son, the Father and the Holy Spirit. A circle of women finding joy in one another. A circle of women laughing. A circle of insane women. A circle of women reclaiming the judgment.
Solitaria is the journey of a circle of lonely women after their decision to have an
abortion. It is a theatrical and absurd journey through the taboos and social judgments imposed on women who abort, and the irreverence and humor needed to transgress these judgments; is a reclamation of the social judgment imposed by the western Christian morality through an irreverence that may allow them to break their loneliness and commune together in their grief.
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