La MaMa Archive: Here, There, and Everywhere
Here at La MaMa Archive, we believe the materials we safeguard are valuable not just for the ways they shed light on the Off-Off-Broadway and experimental theatre movements, but also in how they relate to broader social and cultural contexts.
Finding ways to connect these stories with the wider community and expanding the reach of the Archive is one of our highest priorities. Archival access, however, is not just about making material discoverable through our digital collections and tours but in reaching out to new audiences; growing our community and boosting awareness about the amazing source materials available at La MaMa Archive and the diverse and exciting narratives they document.
So, of course, we were thrilled when a curator from the New York Historical contacted the Archive with a request to review, and possibly include, some La MaMa materials for an upcoming exhibit!
Women Making Theatre in New York City is a new installation curated by Jeanne Gutierrez, Manager of Scholarly Initiatives at the Jean Margo Reid Center for Women’s History, which explores how women in the 19th and 20th centuries succeeded in the financially precarious world of New York City theatre. The installation is divided into two parts – the first presenting early case studies. The second…
Mise-en-scène jumps to the 1960s and the rise of New York’s downtown theatre scene, examining the overlapping networks, new organizations, intimate partnerships, and creative collaborations formed by women, many of which are still active today
Photograph courtesy of The New York Historical: photographer, Glenn Castellano
A close-up of the plinth showing a reproduction of the 1961 rent receipt for La MaMa’s first home, an original menu, Ellen Stewart’s signed 1969 La MaMa ETC membership card, and theinterior of 122 Second Ave(La MaMa’s 3rd home).
This exciting exhibit will be on display through October 30, 2026 at the New York Historical.
Beyond the borders of NYC, La MaMa Archive recently made an appearance in an article by Hiroki Fukuda in the December 7th issue of the Asahi Shimbun’s GLOBE special feature and on the Asahi Shimbun website, “GLOBE+.” This longform piece is titled “Looking for My America.” It covers the 80 years of postwar Japan-US relations from various angles, incorporating the author’s personal history and is based on his reporting in New York and Hawaii.
Hiroki Fukuda visited La MaMa Archive in October of 2025 to research Shuji Terayama (1935-1983), his connections with La MaMa, and theatrical exchange between Japan and the United States during the 1970s.
(Download pdf of article)
La MaMa’s founder, Ellen Stewart, superseded cultural barriers by fostering creative exchange across borders. She introduced American audiences to international artists and took new American voices overseas. Following that example, La MaMa Archive is excited to head into the new year by finding new ways to engage with the public and sharing La MaMa’s unique and inspiring history with more people both at home and abroad.You may also like
In Memoriam: Morgan Jenness – Mar 31
Remembering Morgan Jenness and her legacy
VERY FINE PEOPLE
verbatim transcripts from the trial of the charlottesville white nationalists (work-in-progress #4)
A Play Reading OF: UNDERBELLY, By Jon Pratt
This Playwriting Fellowship will offer two early career playwrights in the NYC area an artistic home

